![]() Since 1996, the content of her video works and installations tackles the themes of family and cultural identity, self-representation, the vulnerability of the body, memory, writing as object and process of creation. She is interested in various narrative forms that can lead the transition between reality and fiction brought by digital. Her work is internationally recognized and has received awards in several festivals, including events in Belgium, Colombia, France, Portugal and in Montreal, where she won the Prix à la Création artistique from the Conseil des arts et des lettres du Québec for her video Du front tout le tour de la tête. She is the winner of the 2005 Bell Canada Award in video art. – Tableau 20, 2009, 15 min (extract 5 min 29 s)Ĭhantal duPont has taken part in many international video festivals and individual and group exhibitions in Quebec and abroad. – 5 Tableaux 5 Paysages, 1994, 16 min 18 s (extract 2 min 40 s) Haiku, The art of the present moment, 2007, 7 min (extract hiver) – Interview with Madelon, 2016, atelier Amsterdam, 1 min 23 s – A fter Image/After Language, audio and video installation, in situ, Sept. Parc La Fontaine, Montréal, 15 min, Documentation (extract 3 min 3 s) – After Image/After Language, audio and video installation, in situ, Sept. – Interview with Madelon, 2016, Amsterdam studio, 3 min 23 s Madelon Hooykaas et Chantal duPont in memory of Elsa Stansfield – At the Lightest Touch, 2013, 3 min (2 extracts) – Cartes et territoires, un parcours, 2015, 7 min 47 s (4 extracts) – Seeing with your fingertips, 2004, 2 min 18 s (2 extracts) – De cœur et de paroles, 1999, Chantal duPont and Élisabeth Wörle, 1min 41 s (extract) In certain video works, the body’s memory is triggered through the presence of a shadow, a fragmented face, or a simple gesture. Through their roaming, nomadic images of faces, bodies, or landscapes may take an idea further or take on another meaning altogether. The artists use images in their artistic process that travel from one work, context, and time period to another. Chantal duPont has put together a selection of her video works and those of two artists who have influenced her practice: Montréal’s Mario Côté and Madelon Hooykaas of Amsterdam, Netherlands. The video artist Chantal duPont, will be our guest for the sixth Videograhe’s “carte blanche”, and will offer us an eloquent evening on her video practice and her artistic collaborations.Ī Blue Card for images that traverse oceans.
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